Movie Review: Hell House
George Ratliff's Hell House scared the, well, hell out of me.
That's the purpose of the Hell House itself, of course. They scare people. They scare people into becoming Christians--it is a haunted house sponsored by a pentacostalist Christian Church.
They showcase adultery, family violence, incestuous rape, drunk driving, date rape, drugs, raves, abortion, Satanism (complete with ambiguously anti-Semitic Pentacles of David) and AIDS. At the end, they have a room of conversion, with prayer counselors, in case you've been scared into the arms of Jesus.
They have really bad actors (all church-members) who desperately compete for the good parts (the girl who gets raped by her father and the girl who gets the abortion are the favorites amongst high school aged girls).
What scared the hell out of me was not the Hell House itself, in all its amateur glory. (They admitted it to be such. One kid said, and I don't quite quote, "The scripts and acting and sets are pretty lame, but they don't really do it. Its God who does the rest.")
No, what scared me was their sincerity. And their hypocrisy. Mr. Ratliff had the extraordinary good fortune to catch the main "character"'s son having an epileptic fit, then suddenly stopping, ostensibly because the father prayed. We see the church members speaking in tongues, a practice which they believe is the only way for them to truly communicate with God.
Then we see them talking about how fun the Hell House is. One man, a born-again who used to be big in the rave scene, got so excited while talking about the fake rave he was organizing for the House--"I'm going to play the DJ, as I have for the past few years. We're going to have the black lights up here, and the glow sticks, and the music, of course... some graffiti... we might even rent a water tank!" (not-direct quote). He seemed to miss the raves so much that he was almost considering re-forsaking Jesus just to do it again. For nostalgia's sake, he even graffiti'ed his old tag onto the walls in two different neon colors.
This movie has been both widely criticized and widely praised for its unbiased, hands-off approach. Mr. Ratliff never tells us what to think about the Hell House. He simply presents us with the facts and lets us decide. The criticizers of this approach may simply be frightened by the idea of thinking for themselves. It is clear that they are not to be taken seriously--just because we do not see Mr. Ratliff giggling off to the side at the absurdity of it all does not mean that it does not come off as utterly outrageous. In fact, this approach allows us to feel a twinge of sympathy for the ignorant masses to whom we are placing ourselves as superior. We see that they are well-intentioned people, utterly unaffected, whose bigoted views are not perpetuated out of an agenda of hateful evil but out of a desire to eradicate all evil, as they define it.
Near the end of the movie, we see the aforementioned 'main character' deciding to go through the Hell House as an observer, rather than as a guide as he has always been. Earlier, we have seen his struggles to raise his family of four (including the cerebral palsy kid with the seizures), and have heard about his harrowing experience with a wife who cheated on him via the Internet. The story of his wife has been worked into the Hell House as part of the family violence/adultery scene. At the end, we see him enter the conversion room to reconfirm his love for Jesus. Instead of disgust at his unenlightened belief that God can help him, we instead feel sorrow for his plight. We almost _want_ him to go in and find God again, because we realize that its what will make him happy. Its what he wants to do.
In the end, the documentary's main strength is, in fact, in its objectiveness. It is fully clear that the Hell House is ridiculous. However, it is also fully clear that the sentiment is almost a nice one. And although nice is so often blasted for being a meaningless word, it is the word of best fit. The Christians are trying to be nice, in their own, nescient way.